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PANZ Book Design Awards 2010 Winners

New Zealand’s best book designers were celebrated at this year’s PANZ Book Design Awards which saw an outstanding group of winners emerge from a strong field.

This year’s Supreme Winner was The Life and Love of Trees by Lewis Blackwell, designed by Cameron Gibb. It is a book in which, said awards judge Peter Gilderdale, “the design choices and content came together to yield a breathtaking result.”

See the full list of 2010 PANZ Book Design Awards winners.

Supreme Winner 2010: The Life and Love of Trees

Designer Cameron Gibb

Gerard Reid Award for Best Book: PANZ Book Design Awards 2010
Sponsored by Nielsen Book Services

JUDGES COMMENTS

Lewis Blackwell’s The Life & Love of Trees is a combination of breathtakingly beautiful photographs and wonderfully written, elegant and accessible essays. It reaches the highest standards of international design and publishing, and will sit proudly on bookshelves all around the world.

Best Cover 2010: Magpie Hall

Designer Sarah Laing

HarperCollins Award for Best Cover: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Like it or not, people often do judge a book by its cover, hence cover design is always a major element in the publishing process and can have a significant impact on its success or failure. Several of the best covers this year were to be found on fiction titles, with the winner and one highly commended title being from this genre.

Awa Press Young Designer of the Year: Keely O'Shannessy

Awa Press Young Designer of the Year: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Congratulations are due to all of the young designers who entered. They have found themselves a place in a small and particular market. That takes courage and passion. If these guys are the future book designers of New Zealand, the industry is in exciting hands.

Pindar Award for Best Typography: Art at Te Papa

Designers: Grant Sutherland, Mission Hall (interior), Robyn Sivewright, fineline (typesetting), Neil Pardington (cover)

Pindar Award for Best Typography: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The typography and non-illustrated book categories tend to overlap. However, since our choices in non-illustrated acknowledged several highly typographic books, we decided to look beyond these ‘pure’ books,and recognise the strongest type across all categories.

Best Illustrated Book: The Life and Love of Trees

Designer Cameron Gibb

Random House New Zealand Award for Best Illustrated Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Considering the high number of entrants in this category, it is a given that all finalists have a well-resolved grid, great typography and a well-handled cover. Over and above these, however, all three books have major strengths.

Best Non-Illustrated Book: Mirabile Dictu

Designers Keely O'Shannessy (cover), Katrina Duncan (interior)

Hachette New Zealand Award for Best Non-Illustrated Book: PANZ Book Design Awards 2010

JUDGES ’ COMMENTS

The non-illustrated book category this year had fewer strong non-fiction books, but this was counteracted by the quality in poetry and fiction. It was noticeable that production values sometimes let down otherwise well-designed books – an effect, perhaps, of the recession. The best of the category transcended the gloom, however, and the finalists are all highly effective in different ways.

Best Educational Book: Year 9 Graphics

Designer Book Design Limited

Pearson Award for Best Educational Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The educational book category attracted more entries than in 2009, and the quality of entries was fairly even. Educational books often have to get a lot of information into a constrained space, and this can lead to clutter when not handled well. The finalists all managed to combine well-sequenced information, solid typography and visual appeal.

Best Cover 2010: Magpie Hall

Cover: Magpie HallDesigner Sarah Laing

HarperCollins Award for Best Cover: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Like it or not, people often do judge a book by its cover, hence cover design is always a major element in the publishing process and can have a significant impact on its success or failure. Several of the best covers this year were to be found on fiction titles, with the winner and one highly commended title being from this genre.

We were looking for covers that arrested our attention, made us want to pick up the book and read the publisher’s blurb, so we sought the cover that would stand out among a sea of others in the bookshop or library. We also paid attention to the back cover and spine, with the shortlisted titles all scoring well in this regard.

The judges quite quickly and unanimously chose Rachael King’s Magpie Hall as the winner. The cover design and the interior artwork were done by Sarah Laing. We thought it an outstanding example of a well designed and executed cover, back and front, that reflects the story in an appealing way.

Alison Wong’s As the Earth Turns Silver was the second fiction title shortlisted, and again we were impressed. Keely O’Shannessy is clearly a talented designer, having had two designs highly commended last year. As with the winning book, both the front and back covers were paid great attention, with the illustrations and text working together especially well.

The book design and image research for Tom Watt’s highly commended title, A Beautiful Game, was done by Carolyn Lewis, with production and origination by PQ Blackwell. This handsome hardback’s subtle and appealing cover challenges our assumptions of what a sports book ought to look like.

 

HIGHLY COMMENDED

Keely O'Shannessy for As the Earth Turns by Alison Wong

Carolyn Lewis for A Beautiful Game by Tom Watt

DESIGNER’S COMMENT

I was sent the first three chapters of Magpie Hall as part of the design brief, and it was saturated with striking imagery – taxidermy,tattoos, gothic mansions. I settled on the tattooed wrist – it seemed like such
a painful place to needle oneself, and it was portentous, the crux of the novel’s mystery. I took the photo of my own wrist on top of my Kashmiri red shawl,the kind of thing Henry Summers might collect on his travels. The magpie image and the type were superimposed in Photoshop. I looked at old-style tattoos for back-cover inspiration, and echoed the shapes in the Kashmiri shawl.

DESIGNER Sarah Laing
TITLE Magpie Hall by Rachael King
PUBLISHER Random House (NZ)
FORMAT 234mm x 152mm, 270pp,paperback with embossed cover

 

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