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PANZ Book Design Awards 2010 Winners

New Zealand’s best book designers were celebrated at this year’s PANZ Book Design Awards which saw an outstanding group of winners emerge from a strong field.

This year’s Supreme Winner was The Life and Love of Trees by Lewis Blackwell, designed by Cameron Gibb. It is a book in which, said awards judge Peter Gilderdale, “the design choices and content came together to yield a breathtaking result.”

See the full list of 2010 PANZ Book Design Awards winners.

Supreme Winner 2010: The Life and Love of Trees

Designer Cameron Gibb

Gerard Reid Award for Best Book: PANZ Book Design Awards 2010
Sponsored by Nielsen Book Services

JUDGES COMMENTS

Lewis Blackwell’s The Life & Love of Trees is a combination of breathtakingly beautiful photographs and wonderfully written, elegant and accessible essays. It reaches the highest standards of international design and publishing, and will sit proudly on bookshelves all around the world.

Best Cover 2010: Magpie Hall

Designer Sarah Laing

HarperCollins Award for Best Cover: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Like it or not, people often do judge a book by its cover, hence cover design is always a major element in the publishing process and can have a significant impact on its success or failure. Several of the best covers this year were to be found on fiction titles, with the winner and one highly commended title being from this genre.

Awa Press Young Designer of the Year: Keely O'Shannessy

Awa Press Young Designer of the Year: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Congratulations are due to all of the young designers who entered. They have found themselves a place in a small and particular market. That takes courage and passion. If these guys are the future book designers of New Zealand, the industry is in exciting hands.

Pindar Award for Best Typography: Art at Te Papa

Designers: Grant Sutherland, Mission Hall (interior), Robyn Sivewright, fineline (typesetting), Neil Pardington (cover)

Pindar Award for Best Typography: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The typography and non-illustrated book categories tend to overlap. However, since our choices in non-illustrated acknowledged several highly typographic books, we decided to look beyond these ‘pure’ books,and recognise the strongest type across all categories.

Best Illustrated Book: The Life and Love of Trees

Designer Cameron Gibb

Random House New Zealand Award for Best Illustrated Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Considering the high number of entrants in this category, it is a given that all finalists have a well-resolved grid, great typography and a well-handled cover. Over and above these, however, all three books have major strengths.

Best Non-Illustrated Book: Mirabile Dictu

Designers Keely O'Shannessy (cover), Katrina Duncan (interior)

Hachette New Zealand Award for Best Non-Illustrated Book: PANZ Book Design Awards 2010

JUDGES ’ COMMENTS

The non-illustrated book category this year had fewer strong non-fiction books, but this was counteracted by the quality in poetry and fiction. It was noticeable that production values sometimes let down otherwise well-designed books – an effect, perhaps, of the recession. The best of the category transcended the gloom, however, and the finalists are all highly effective in different ways.

Best Educational Book: Year 9 Graphics

Designer Book Design Limited

Pearson Award for Best Educational Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The educational book category attracted more entries than in 2009, and the quality of entries was fairly even. Educational books often have to get a lot of information into a constrained space, and this can lead to clutter when not handled well. The finalists all managed to combine well-sequenced information, solid typography and visual appeal.

Best Non-Illustrated Book: Mirabile Dictu

Cover: Mirabile DictuDesigners Keely O'Shannessy (cover), Katrina Duncan (interior)

Hachette New Zealand Award for Best Non-Illustrated Book: PANZ Book Design Awards 2010

JUDGES ’ COMMENTS

The non-illustrated book category this year had fewer strong non-fiction books, but this was counteracted by the quality in poetry and fiction. It was noticeable that production values sometimes let down otherwise well-designed books – an effect, perhaps, of the recession. The best of the category transcended the gloom, however, and the finalists are all highly effective in different ways.

In a Word takes the normally workaday subject of a thesaurus, and complements the innovative approach of the author with gutsy headings, page numbers and section pages, whilst the more restrained type sits beautifully on the page and helps create a thoroughly useful reference book with attitude.

Dead People’s Music is that rare beast: a book in which the author and designer are totally in sync – because the author is one of the designers! As one might expect, the typography and lettering are wonderfully balanced and cohesive, and the quirky musical section markers animate the pages. The paper, ink and cover all contribute to a wonderfully satisfying tactile object.

If the paper choice of Dead People’s Music helps convey a luscious and expansive quality, the rougher, whiter paper of the winner, Mirabile Dictu, suggests more slippage between the lyrical and the taut. The typographically complex poems sit effortlessly on the page. Grid, type and numbers are all balanced, and the cover conveys a sombre yet transcendent tone. What sets this book apart, however, is its use of a potentially dangerous element. Several entries floundered when thin paper allowed the text on the reverse to intrude and distract. Here, this see-through effect works both visually and conceptually. It reinforces the grid, and also, in a book that is a journey, provides a subtle reminder of the past and a hint of the future.

HIGHLY COMMENDED

Sarah Laing (cover) and Kate Barraclough (interior) for Dead People's Music by Sarah Laing

Spencer Levine for In a Word by Mark Broatch

DESIGNERS’ COMMENTS

Michele Leggott had a strong idea of what she wanted for this cover – ‘a jewel-like image on a dark ground’. So I chose an image from a poem in the book – ‘the world goes dark/I look into the eyes of my stone bird’. I added the light refractions to further explore ideas of ‘ways of seeing’ while
giving the cover a dreamlike, ethereal quality. (O’Shannessy)

Quality paper and a large format allowed plenty of room for the poems to breathe. The font is Dante, classic and beautiful with, I think, just the right rhythm for the poems. (Duncan)

TITLE Mirabile Dictu by Michele Leggott

PUBLISHER Auckland University Press

FORMAT 230mm x 165mm, 160pp, paperback with flaps

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